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SOMMAIRE

EDITORIAL
György Ráduly | 5

OPEN FORUM
Living Proof. Exploring the Climate Crisis Through Archive Footage
Emily Munro | 13

Fast Forward Thinking Will Save Our Digital Heritage
Charles Fairall | 23

Non-Aligned Film Archives
Annabelle Aventurin, Léa Morin, Nour Ouayda | 33

Laurent Bismuth (1965-2021)
Christine Braemer, Eric Le Roy, Béatrice de Pastre | 45

Laurent Bismuth and FIAF
Thelma Ross and Nancy Goldman | 49

Peter Bogdanovich (1939-2022)
Laurence Kardish | 51

Vision and Determination: The Women Who Created FIAF’s Periodicals Indexing Project
Rutger Penne | 55

HISTORY
David Francis Interview, Part II
Rachael Stoeltje | 65

Tricolor, a System of “Natural Colours”
Hernani Heffner | 83

ARCHIVES AT WORK
Segundo de Chomón y Barcelona, una atracción renovada: a propósito del 150 aniversario de su nacimiento
Rosa Cardona y Mariona Bruzzo | 95  

The Hong Kong Film Archive’s 20th Anniversary Celebrations
May Ng and Kevin Choi | 109  

Museo Nazionale del Cinema. A New Digital Lab in an Old Cinematheque
Gabriele Angelo Perrone  | 117

REVIEWS
The Rise & Fall of Max Linder, the First Cinema Celebrity
Richard Abel  | 124

Abel Gance, Charles Pathé. Correspondance (1918-1955)
Louis-Jean Decazes | 126 

The Story of British Animation
Chris Pallant  | 129

An International Study of Film Museums
Stéphanie E. Louis  | 132

The 9.5mm Vintage Film Encyclopaedia
Mirco Santi  | 134

Black and White Bioscope: Making Movies in Africa 1899-1925
Emma Sandon  | 136

A Coleção Colonial da Cinemateca /The Cinemateca’s Colonial Collection
Rui Lopes  | 139

Analoge Kinefilme und Kinefilmtechnik. Grundlage der Umsetzung der Digitalisierung von Kinefilmen nach DIN SPEC 15587
Thomas Worschech  | 141 

André Antoine au cinéma. Une méthode expérimentale
Alain Carou | 144

Thierry Zéno
David Vanden Bossche | 147

Henry Brandt. Cinéaste et photographe : un projet pluridisciplinaire qui se donne les moyens de ses ambitions
Natacha Isoz | 149